Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Simona-Valentina’s new album, “Mirrors & Feathers,” arrived much like an unexpected guest at a tea party – one who’s been through a rather significant ordeal but still manages a fascinating, slightly skewed smile. This London-based songwriter, with roots trailing back to Transylvania, offers a collection that feels less like a polished performance and more like eavesdropping on intensely private, courageous conversations, rendered in dreamy,...