Caitlin Mae's single "House Sitting" slid into earshot less like a shiny Nashville calling card and more like finding a faded letter tucked inside a secondhand book. It’s labelled country, and the soft rock structure gives it shape, but the atmosphere? That’s pure, unadulterated heartache, distilled. Mae possesses one of those voices – technically brilliant, sure, but more importantly, emotionally transparent. You hear the...

With Paul Gehl and his latest single "Train to Nowhere", we are invited into a sonic space that feels suspiciously like the inside of a pressurized cabin just before the oxygen masks drop. It is fascinating to consider that Gehl, an artist hailing from Luxembourg City, has roots in the disciplined worlds of classical and flamenco guitar. You might expect delicate fingering or warm...