The first listen of Haus of Sound’s new single, “Mirage,” is like walking into a room where a beautifully ornate vase has just been shattered against a wall. There's a jagged, crystalline energy here, a collision of theatrical drama and raw, modern discontent. Evolving from their 2000s tribute roots, the Everett band has synthesized the best of that era’s angst—the coiled tension of early...

Glass Cabin’s latest single, “I Don’t Know,” feels less like a song arriving and more like something found already playing in a dusty, roadside motel room you didn’t intend to stop at. Jess Brown and Dave Flint, the architects of this Nashville duo, have conjured a piece that sits squarely in their poetic intersection of country rock atmosphere and gothic Americana shadowplay. It's a...