Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Bolidde's new album, Rainbow Galaxy, doesn't so much arrive as it does seep into the room, a ten-track document of flight powered by rock and roll muscle. Here is a veteran of the French scene who understands the architecture of a great pop hook, but who uses that knowledge not to build a summer villa, but a high-speed getaway vehicle. The album’s energy is...