Listening to Highroad No. 28 navigate the emotional geometry of "Likethelast" feels a bit like watching a bruised prizefighter suddenly break into a joyful, intricate tap dance. It is disarming, slightly confusing, and entirely magnetic. Andrew JC, the sole architect behind this sonic landscape, has constructed something that defies the dusty expectations one might hold for an outfit born in the late 90s alternative...

Seishin Takeno's "Echoes," a sonic postcard from Kanagawa. Nine instrumental pieces, I've been told. Not nine songs, mind you – more like nine shaded windows into a particular kind of quiet. This isn't music that yells; it leans in, like a friend confiding a secret you half-hear on a summer porch. Immediately, you're not so much listening as remembering. Or maybe anticipating. It feels...