Let’s be clear about Social Gravy’s re-released single, “Fools”: this is not a song that uses metaphor as a shield. From its first snarling chords, this track, a furious time capsule from 2016 unearthed by Brad Kohn and Vee Bordukov, feels less like a composition and more like a brick heaved through a stained-glass window. It’s a raw-throated accusation, a two-by-four of a protest...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...