Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

Some songs slink into existence like they’ve emerged from a digital jungle, chrome vines and all. Super Massive’s latest single, "Caught In A Web," doesn’t just step into the foliage; it practically swings from the branches. Glenn Abbott’s tight, pulsating drum rhythms instantly provide the scaffolding, while Malina Hamilton-Smith’s vocals glide, entangle, and occasionally sting like the titular web’s arachnid inhabitant. It grooves like...