Some songs are protests. Others are warnings. But a rare few are something else entirely: they are stories that transport you to another place, another time, another possible future. Ted Stanley’s “Shoreline” is one of those songs. It’s a piece of music that feels less like a song and more like a modern myth, a folktale carried softly across a rising tide. It’s a story...

Listening to Libby Ember’s single “Alibi” is a study in strange emotional temperatures. The sound is a down-tempo, sun-dusted blanket of soft guitars and gentle synth pads, the kind of arrangement you’d put on to feel safe. But the feeling it leaves behind is a deep, architectural cold, the kind you find in the shadowed corners of an old stone church long after the...