Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Lynsey Tibbs. Royston, England. Sounds like the beginning of a particularly charming British mystery novel, doesn't it? Except instead of a whodunit, we have a what-is-it. And "Hold Me Close," Tibbs' new single, is most definitely a what-is-it. A delightful one, mind you. https://open.spotify.com/album/1TYMGZOnQYSdWX218aSmNk?si=stC74-PqRwmJIUsXojdmJg The song, crafted with Keir More (instrumentation, structure, co-writer – hats off to collaborative synergy!), plunges you headfirst into the deep end...