Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Samantha Mora’s “Luto” arrived like a half-remembered dream, a wisp of smoke curling from a candle just extinguished. It's not a song to shout from rooftops; it's something you feel in the space between your breaths. Her voice is so smooth, a rich velvet you could lose yourself in. You'd almost think it could just glide across the cumbia rhythms like a hummingbird over...