Listening to The Trusted’s new single, “Levitate,” is to willingly submit to a glorious, well-produced panic attack. From its opening moments, where frontman Tom Cunningham confesses to feeling like something to be discarded in the street, the track establishes a brutal vulnerability before yanking you into the dizzying orbit of another human being. It’s the sound of being so completely poleaxed by infatuation that...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...