What does it mean for music to be “live” anymore? In an era of backing tracks, digital corrections, and performances polished to a frictionless gleam, the term has lost some of its meaning. It often signifies little more than the physical presence of a performer on a stage. But then, an album like Udeigwe’s "Live in Williamsburg" appears, and it serves as a powerful reminder...

Listening to Rewind The Mind's new single, "Come On With Me," is like being pulled into a room where the air itself is the color of marmalade. This Brighton outfit builds a foundation that’s both impossibly tight and wonderfully languid; the bassline functions less as an instrument and more as the steady, reliable metronome of your hips, while clean horns slice through the haze....