There is a peculiar friction to the digital textures of Skylarka and her new album, "Somnorine". It’s supposed to be chiptune-influenced synthwave, but listening to it feels less like browsing the internet and more like chewing on aluminum foil while watching Blade Runner on a CRT monitor that’s slowly degaussing. It’s a sensory contradiction bright, crystalline pop hooks wrestling with the deep, existential dread...

Ferdinand Rennie’s “Someone to Remember Me” (Remake 2025 Version) arrives with the quiet confidence of a man who has looked at the map of his life more than a few times. This isn’t the sound of ambition clawing its way up a wall; it’s the sound of someone standing on the summit, looking back at the long path and wondering about the shape of...