Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Koala Bar's EP, “The Antelope,” arrived not like a soothing balm, but more like finding a beautifully weathered rock in your shoe – unexpectedly present, slightly uncomfortable, yet demanding attention. This collection from the Malmö collective wraps you in atmospheric soundscapes that feel both vast and claustrophobic, a sonic representation of staring at the ceiling in the dead of night, mind buzzing with everything...