Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Maraad’s new album, “BUFF”, is a strange and beautiful paradox, an object forged in the very fire it’s meant to protect you from. Each track is presented as a "buff," a bit of protective magic for the spirit, but the energy humming underneath feels less like a polished shield and more like the faint, determined glow around a figure in a centuries-old altarpiece—somehow both...