Blind Man’s Daughter has constructed something peculiar with the single “Harbor Boulevard,” a song that feels less like a piece of music and more like discovering a perfectly preserved room from a house that no longer exists. Ashley Wolfe’s project here builds a world with the clean, approachable architecture of country-pop, yet there’s a strange dust mote shimmer in the air—those cinematic flourishes—that catches...

Listening to Libby Ember’s single “Alibi” is a study in strange emotional temperatures. The sound is a down-tempo, sun-dusted blanket of soft guitars and gentle synth pads, the kind of arrangement you’d put on to feel safe. But the feeling it leaves behind is a deep, architectural cold, the kind you find in the shadowed corners of an old stone church long after the...