Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...

There are songs that sound like a place, and then there’s Neil Potter’s "Música El Idioma Del Amor," which sounds like a specific time of day in a specific place you’ve never been. It’s a curious creation, a sonic postcard from a parallel-universe Seville where the flamenco guitarist and the local rock progressive have decided to build something new on a foundation of pure...