Listening to Highroad No. 28 navigate the emotional geometry of "Likethelast" feels a bit like watching a bruised prizefighter suddenly break into a joyful, intricate tap dance. It is disarming, slightly confusing, and entirely magnetic. Andrew JC, the sole architect behind this sonic landscape, has constructed something that defies the dusty expectations one might hold for an outfit born in the late 90s alternative...

A broken teacup, stained with Earl Grey, hums with the same quiet ache as "Jeg Glemmer Dig Aldrig." Tomas Raae and the ethereal voice of Eline Hellerud Åsbakk craft something fragile, like frost on a window pane – beautiful and inherently ephemeral. It’s a love song, maybe, or a lament. It’s hard to pin down the heart of it exactly, which, I suppose, is...