Eddie Cohn’s new single, "Get Back My Way," starts with the kind of intimate acoustic strumming that feels like overhearing a conversation someone is having with their own reflection. It’s an immediate plunge into that uniquely modern disquiet—the sense of being adrift in a sea of your own making, armed with a compass whose needle just spins and spins. The narrator’s battle for "sanity"...

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...