Fiona Amaka’s new single, “Cowards and Shadows,” doesn’t kick down the door; it slips the lock and vanishes into the night, leaving the chain on. There’s a particular London cool to this departure, a swagger in its disappearing act. The track's lauded Bowie-esque posture is immediately apparent, thanks in no small part to Andy Zanini's sharp, stalking guitar work. It’s less a gentle fade...

Patrick Hynes’ new single, "Baby’s High Again," doesn't so much arrive as materialize, like a half-remembered scent of bourbon and regret clinging to a velvet curtain. This “Midnight Country” he’s cultivating, it’s less dusty plains, more the blue, flickering light of a motel television at 3 AM, illuminating a room where decisions have been made, then unmade, then made again. Hynes, a Scot with...