Some records politely ask for your attention; the "Moss E.P" from MOSS just sets a small, contained fire on your coffee table and waits for you to feel the heat. It is an immediate and strangely familiar atmosphere, like a half-remembered David Lynch dream scored with the staticky pulse of 90s trip-hop. Bee Davison's voice cuts through this hypnotic haze, not as a lament,...

Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...