Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Listening to the opening of Michellar’s "Truth Over Lies" is like being dropped mid-sentence into a conversation you desperately need to hear. This track, which features Frankie El, doesn't ease you in; it puts you on the "shaky ground" it sings about, a state of profound vertigo that reminds me of the low, anxious hum an old CRT television used to make just before...