Micah Rose-Trespeuch’s new album, "Coughing Up Blood," feels less like a listening experience and more like witnessing an urgent, almost involuntary act of transmutation. Rose-Trespeuch (piano, vocals), with Julien Baraness masterfully texturing the soundscapes and Gaetan Allard providing the often-fractured, sometimes thunderous pulse on drums, has crafted something akin to a diary written in volatile ink. One moment, you're amidst Chopin-esque piano runs that...

There is a specific weight to Chellcy Reitsma’s "Carpe Diem," one that feels less like a motivational poster and more like a heavy coin you’ve carried in your pocket for years, its edges worn smooth by worry. It announces its intention with a title we think we know, a bright promise of seizing the day, but the music itself doesn't offer easy platitudes. Instead,...