Priscilla Loya and Juwan Rates help fire up a house and garage cut that feels handmade for bodies that refuse to stay still. Press play and the room starts acting differently.
‘In The Music‘ by Leopold Nunan does not creep in politely. It arrives with a pulse, a stare, and club-ready confidence that makes a person check for space to move. This is house music with sweat on its collar, garage pressure in its step, and a clear message: human hands still matter when everyone keeps talking about machines.
Nunan, a Brazilian-born artist based in Los Angeles, comes to the track as a singer, actor, director, and producer with a taste for performance that feels physical.
He is joined by Priscilla Loya, also known as PRIIS, a movement artist, producer, DJ, choreographer, and Slim Pickins Music Company founder. Juwan Rates completes the trio with deep club credentials, bringing Southern California DJ and producer experience, plus a visible Traxsource run across Garage and Jackin House releases.
That mix matters because ‘In The Music‘ is built around movement. Loya’s dance background seems to sit inside the record’s bones. Rates gives it the kind of floor sense that keeps a track from drifting away into theory.
Nunan, who wrote the vocal and lyrical concept, sounds focused on presence. He treats the microphone like a spotlight that keeps cutting through smoke, sweat, and flashing fabric.
No wasted sermon. No stiff pose. The point is motion.
The release lands at a loud cultural moment. AI-made music now drives daily chatter, from TikTok edits to playlist farms to debates that begin with a beat and end with someone defending a robot.
‘In The Music‘ answers that noise by going back to what club culture knows best: bodies in sync, rhythm as proof, community as a real thing you can feel in your chest.
It is the opposite of scrolling alone at 2 a.m. while the algorithm guesses your mood badly.
Traxsource lists ‘In The Music‘ on PRDS Direct with an original version at 7:32 and a remix at 7:00, which already tells you this record is thinking in club time.
It is not rushing toward the exit. It wants room to stretch, lock in, and work the hips. The Garage label fits, but there is also the bounce of Jackin House and the after-dark polish of LA’s underground circuit.
It feels like the kind of track a DJ drops when the crowd is warmed up and ready to stop pretending they are too cool to sweat.
The video adds another hit of personality. Shot in downtown Los Angeles and directed by Marcelo JS and Tuco Menezes, it brings dancers, Kerwin Frost-inspired fashion, and high-voltage street energy into frame.
Nunan appears as a bold underground fashion figure, seductive, strange, and fully locked into the track’s heat. The clip does not simply promote the single. It gives it a face, body, and danger.
Also, someone should study the science of how one good outfit can add ten percent to a bassline.
What makes ‘In The Music ‘click is its refusal to treat dance music like background content. It wants participation. That is a big reason the collaboration works.
Nunan supplies the concept and vocal punch, Loya brings movement culture and LA creative grit, and Rates adds the club mechanics that let the whole thing breathe under pressure.
The result is polished enough for streaming, rugged enough for a packed room, and direct enough for anyone who has ever used a dance floor as a reset button.
For ViViPlay’s Home Of Vibes audience, this is the kind of release that feels easy to share because its message is clear without turning stiff.
It celebrates original craft, underground community, and the very human thrill of losing track of time while a beat keeps insisting you are alive.
If ‘In The Music‘ is Nunan’s second official label release, it makes a strong case that his next chapter will be louder, sweatier, and harder to ignore.
