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The Mechanical Heart of SLAPPER’s “Into the Light”

Listening to SLAPPER and the new instrumental single "Into the Light" feels like catching a glimpse of a future we were promised decades ago but only just found the keys to. Claudiu-Gabriel Tache has been refining this specific electronic pulse since the late '90s in Bucharest, and there’s a seasoned patience in how this music breathes. It doesn't rush to impress; it unfolds. https://open.spotify.com/track/7ez2cOd45CF1Pu0rhS9lNn?si=b920e0c2636f415d The track...
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Haus of Sound’s “Mirage”: The Shattered Oasis.

The first listen of Haus of Sound’s new single, “Mirage,” is like walking into a room where a beautifully ornate vase has just been...

Ooberfuse Unlocks Joy with “Zeeba Da Boo.”

The new single “Zeeba Da Boo” from Ooberfuse arrives sounding like a magical phrase you’d chant to fix a sputtering time machine. It’s an...

“My Fairytale”: Jeremy Ryan’s Song of Lost Wishes.

There’s a strange comfort in calling your personal disaster a fairytale, and Jeremy Ryan’s new single, “My Fairytale,” lives entirely in that conflicted space....

“Black It Out”: Kevin Driscoll’s Haunting Ache.

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction....

Shattered and Soaring: ‘The Imperfectionist’ by Nothing Concrete.

Nothing Concrete’s new album, “The Imperfectionist”, is less a collection of songs and more a vessel that’s been around the world a few times,...

gnomes’ “Microclimbs”: Finding Safety in Paradox.

Listening to gnomes’ new EP, “Microclimbs,” feels less like hearing songs and more like stumbling upon a meticulously catalogued collection of internal weather systems....

The Curious Weight of Adriana Spuria’s “Stone.”

Adriana Spuria’s new single, “Stone,” presents itself with the polished feel of a perfect skipping-stone, but listening closely reveals it has the curious weight...

Electrified Love: 2 Divide’s “Don’t Stop the Love” Reworked Grabs Hold.

With 2 Divide’s new single, “Don’t Stop the Love” Reworked, one doesn’t simply listen; one is dropped into a running conversation between panic and...

ORWAX Unveils “Everything’s Addictive”: A Grim Diagnosis

The single from Syracuse’s ORWAX, “Everything's Addictive,” doesn’t so much ask a question as it does state a grim, unblinking diagnosis for the modern...

Digital Disorientation: Asta Bria’s “Dragonfly” Soars.

The first encounter with Asta Bria’s new single, “Dragonfly,” is a calculated disorientation. For an artist who once cozied up to funk’s leisurely sway,...

The Uncluttered Beauty of Lucas Pasley’s “Laissez-Faire Love.”

Listening to Lucas Pasley’s new single, “Laissez-Faire Love,” is less like pressing play and more like easing into a worn-in armchair that has held...

The Cold Room: Brendan Pegg’s “I Can Tell.”

With his new single, “I Can Tell,” Brendan Pegg documents not the loud crash of a relationship’s end, but the awful, held-breath silence just...